Bet A Lot and Win Small playing Craps

If you commit to using this approach you really want to have a sizable amount of money and remarkable discipline to step away when you acquire a small success. For the benefit of this material, an example buy in of $2,000 is used.

The Horn Bet numbers are not always considered the "successful way to wager" and the horn bet itself has a casino advantage well over 12 %.

All you are playing is five dollars on the pass line and ONE number from the horn. It doesn’t matter if it’s a "craps" or "yo" as long as you wager it at all times. The Yo is more dominant with gamblers using this system for obvious reasons.

Buy in for $2,000 when you join the table but only put $5.00 on the passline and $1 on one of the two, three, eleven, or 12. If it wins, beautiful, if it loses press to two dollars. If it loses again, press to $4 and continue on to eight dollars, then to sixteen dollars and after that add a one dollar each subsequent bet. Each time you do not win, bet the previous bet plus an additional dollar.

Employing this approach, if for example after fifteen tosses, the number you selected (11) hasn’t been thrown, you really should march away. However, this is what possibly could happen.

On the tenth roll, you have a sum of $126 in the game and the YO finally hits, you amass $315 with a gain of $189. Now is an excellent time to walk away as it’s a lot more than what you entered the game with.

If the YO does not hit until the 20th roll, you will have a total bet of $391 and because your current bet is at $31, you earn $465 with your take being $74.

As you can see, using this system with only a one dollar "press," your take becomes smaller the longer you play on without hitting. This is why you must leave away once you have won or you have to bet a "full press" once again and then continue on with the one dollar mark up with each toss.

Carefully go over the numbers before you try this so you are very adept at when this approach becomes a losing affair rather than a profitable one.


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